More from the award-winning comedy sketch show exploring the pitfalls of modern life. All-female sketch show exploring some of the funnier pitfalls of modern life. Second series of the all-female comedy show exploring the pitfalls of modern life. Last in the second series of the all-female comedy sketch show. Fiona Allen, Doon Mackichan and Sally Phillips return for a third series of the nearly all-female comedy sketch show. Also featuring Sarah Alexander and Darren Boyd.
Smack The Pony: Amanda Holden was first choice for show
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Here, then, is a sample of what makes Smack the Pony great. The show’s signature sketch has to be the dating videos. They’re more than just.
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Two decades after the cult sketch show first aired, its creators discuss its inception, near-death experiences and why they were the Spice Girls.
Smack the Pony
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Smack the Pony is a British sketch comedy show that was originally broadcast between and on Channel 4. In addition to the three principal cast members, the show was written by many writers, the core of which went on to write Green Wing and Campus. Among the show’s regular themes were unsuccessful relationships, competition in the workplace and latent lesbianism, but sketches would also dip into the surreal.
Two regular strands involved a series of different women making dating agency videos about their general likes and dislikes, and a musical parody that would close the show. The show was created by Victoria Pile after being commissioned by Caroline Leddy of Channel 4 and Peter Fincham at Talkback , who believed that audiences would welcome a female orientated sketch show. The show’s title was intended as a spoof of the kind of stories that would feature in annuals aimed at young girls.
Originally “Spot the Pony”, it was changed at Kevin Lygo ‘s suggestion to “Smack the Pony” which some people mistakenly assumed was some kind of sexual euphemism. When a full series was commissioned Holden dropped out and Doon Mackichan took her place. Holden still appeared in four episodes of the first series. Other contributors making regular appearances were Sarah Alexander , Darren Boyd and Cavan Clerkin , while Miranda Hart also appeared in a first series episode.
In Germany, the first transmission of the show aired on ProSieben , where the theme tune was changed to Texas’ version of ” I Don’t Want a Lover “, and featured a different title sequence. Deliberately silly and avoiding repetitive catchphrases,  the show’s surreal humour proved popular and the series had a regular audience of around 2.
Smack the Pony – Dating Agency Videos
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Sexy, stupid and still spot on: the timeless genius of Smack the Pony. Download – video, Don’t shout at me, it wasn’t my fault!
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Smack the Pony. Sketches on the pitfalls of modern life Doon Mackichan and Sally Phillips. Humorous highlights include footage from the STP dating agency.
Have you seen the mother and son on the Ellen show doing it? Because that literally made me cry a little bit. A loose clique of stars, including Simon Pegg, Dylan Moran, Jessica Stevenson, Mark Heap, Ricky Gervais, Tamsin Greig and Bill Bailey have revolved around these series, with the most obvious acknowledgement of this coming in the scene in the film Shaun of the Dead when the two groups of survivors troop past each other, with cameos galore. Log in Sign up. Smack the Pony Guys Kittens.
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Smack The Pony’s re-run on Channel 4 marks a welcome return to silliness
It comes moments after watching her best mate, Ilana Glazer, tug their shared bag of pot out of her own vagina. Across the shows five seasons, Abbi and Ilana experienced nightmare roommates, below-average sexual encounters, poorly-paid jobs and, well, drug storage methods, in absurdly spot-on style. While so many comedies about women have traditionally focused on interaction with men, doomed romances and love interests, Broad City stood out as something different.
Instead it was a show about two best mates clowning around, embarking on pointless quests to Bed, Bath and Beyond, and being there for each other no matter what. It borrowed its name from a slang term for masturbation, and was as provocative as this name suggests. Nervous drivers pant orgasmically as they execute reverse bay parks.
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Just over two decades ago, Smack The Pony premiered on Channel 4. It was immediately as absurd and irreverent as its name, and a show that not only revelled in the ridiculousness of femininity and all the perceptions of it but made it compulsively, consistently funny. The show ran for three series after first airing in and starred three comedians, then relatively unknown — Doon Mackichan , Sally Phillips and Fiona Allen. Produced by Victoria Pile, who later created Green Wing , the show was a breath of fresh air for early noughties viewers, encapsulating the 90s woman and redrawing her, one massive merkin at a time.
It worked so well, perhaps, because it pushed back against a backdrop of the male gaze which had long since dominated comedy. Rather, it was just about women being inappropriate — according to the norm, at least. They were sometimes masculine, other times unapologetically feminine, insecure and supremely obtusely confident, or competitive. Moreover, it was silly. Really, really bloody silly. More recently, until the likes of Stath Lets Flats , another perfect Channel 4 series which rose very gently to critical acclaim last year, and the endlessly funny This Country , comedy itself had taken a step back from silliness.
how 90s show ‘smack the pony’ led the way in feminist comedy
Who’s really sensitive, but can be really tough when I want. Who’s got a high powered job, but isn’t motivated by money. Who’s got a big penis, but doesn’t feel like he has to use all of it. And he’s got to be able to fly. Various Characters : I’ve married a rock star!
The short dating agency videos were a staple of Smack the Pony’s show during its popularity back at the turn of the millenium. Although not presenting an.
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Sally Phillips: Various Characters
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It was the late s. The Spice Girls had happened and Caroline Leddy — then the comedy commissioner at Channel 4 — felt that a sketch show by a trio of girls could finally work. Caroline commissioned writer Victoria Pile to investigate and they held workshops with several performers: me, Julia Davis, Fiona Allen, Amanda Holden. Eventually we got a pilot together, and that became a series.
At first, I thought it was going to be a disaster. But I was 26 years old and 40 million times more confident than I am now, so I worked like mad. For a year, I just shut myself away and wrote. Before we made the pilot, I was convinced it was going to be so awful no woman would ever be allowed on telly ever again. Within 24 hours of Channel 4 watching the pilot, we had a series. We developed rules: no celebrity references, no recurring characters, no catchphrases.
We were definitely coming from a feminist perspective: our characters were the women who would normally be stuck on the sidelines. We were interested in the women in the car park round the back, unaware that the robbery was happening. The character had a dog called Elton John. It was refreshing to have women in the lead.